First, our digital test shot with the Nikon D5100. Are we set? Yep. Let's get the film camera ready.

Now we switch to the big film camera. Kodak Portra 160 film.

Kodak Portra 160 film.

Kodak Portra 160 film.

Kodak Portra 160 film.

Kodak Portra 160 film.

Kodak Portra 160 film.

So, outfit change. Let's take another digital test shot. Ready? Yep. Nikon D5100.

Nikon D5100.

Between these medium format shots and the digital one above, notice how you barely can tell that there is a corner anymore. Kodak Portra 160 film. Both cameras at f/5.6.

Kodak Portra 160 film

Kodak Portra 160 film.

Kodak Portra 160 film.

Kodak Portra 160 film.

Changing position in room. Digital test shot, Nikon D5100.

Nikon D5100.

Sometimes you hear the term 'medium format look.' I think the difference between these next two frames and the previous digital begins to describe it. Kodak Portra 160 film.

Kodak Portra 160 film.

Kodak Portra 160 film.

OK, this following frame and next are test shots... (Nikon D5100)

Nikon D5100

Nikon D5100

Kodak Portra 160 film.

Kodak Portra 160 film.

Two more test shots, to see a Rembrandt lighting set-up and a split-light set-up. Nikon D5100.

Nikon D5100.

Nikon D5100

And back to the film camera, Kodak Portra 160 film.

Kodak Portra 160 film.

Kodak Portra 160 film.

Tech details: Bronica SQ-Ai medium format film camera with PS 80/2.8 lens; for digital frames, Nikon D5100 ASP-C DSLR with Nikkor AF-S DX 18-105mm f/3-5-5.6G ED VR lens. Elinchrom Ranger Quadra with 'A' head for flash, Elinchrom 100cm/39" Deep Octa softbox, either one or two layers fabric diffusion.
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